Circle Art

Founded in 2012, and based in Nairobi, Kenya, Circle Art Gallery promotes contemporary art from Eastern Africa.

Through group and solo exhibitions, as well as participation in various international art fairs, the gallery has increased local and international visibility for established and emerging artists. Working closely with local and international collectors and curators, we are building a strong and sustainable market for East African artists.

1:54 Contemporary African Art Fair London

Circle Art Gallery Booth W9 West Wing 1:54 London 2018
Circle Art Gallery at 1:54 London 2018, Booth W9, West Wing, Somerset House
Booth W9, West Wing, Somerset House, London 4 – 7 October 2018

Circle Art Gallery is pleased to present Dennis Muraguri, Shabu Mwangi and Ian Mwesiga


Exhibition at Circle Art Gallery by WiseTwo
WiseTwo, Into the Cosmos, 2018
Circle Art Gallery 26 September – 26 October 2018

Circle Art Gallery is pleased to present Time Travel – the first ever exhibition in Africa by Kenyan street artist and muralist, WiseTwo.

Michael Soi: China Loves Africa

Michael Soi, China Loves Africa 75, 2018
Circle Art Gallery 15 August – 15 September 2018

Circle Art Gallery is pleased to announce Michael Soi: China Loves Africa. China Loves Africa is an ongoing series dealing with the political and economic relationship between Africa and China. With his characteristic sense of humour and irony, Soi questions the motivation behind this new global power in Africa and its implication for ordinary citizens.

Shabu Mwangi, Joseph Waweru, Ngugi Waweru: REVIEW

Image: Joseph Waweru, Undying Support, 2018
Circle Art Gallery 25 July – 11 August 2018

REVIEW, a group show by Lawrence ‘Shabu’ Mwangi, Joseph ‘Weche’ Waweru and Ngugi ‘Googs’ Waweru.

This exhibition, marks 10 years since the establishment of the Wajukuu Project. It features new work by Googs, Weche and Shabu, celebrating their friendship and their individual development as artists.
When artists give much to their community, this can impact the time needed to make and develop their own work. In contrast, for these artists, it has enhanced their private practice, giving us honest and authentic stories and insights into their concerns and beliefs.

For Weche, Nairobi provides a livelihood to people who continually struggle to cater for their basic needs. Googs’s work is part of an ongoing series where he explores the passionate emotions driven by guns and their destructive power. Shabu’s ‘Identity’ focuses on the human condition, how we have subconsciously become slaves to our psyche. He shows how we see ourselves, and how much we care how we are perceived by others.

The artists are using this exhibition to reflect on historical, social and political concerns. How identity leads to categorization, how our environment determines how we are perceived and the disparity between official statistics and the reality on the ground.